《庐山谣寄卢侍御虚舟》原文赏析
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lú庐shān山yáo谣jì寄lú卢shì侍yù御xū虚zhōu舟
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[táng唐dài代]lǐ李bái白
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wǒ我běn本chǔ楚kuáng狂rén人，fèng凤gē歌xiào笑kǒ孔qiū丘。
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shǒu手chí持lǜ绿yù玉zhàng杖，cháo朝bié别huáng黄hè鹤lóu楼。
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wǔ五yuè岳xún寻xiān仙bù不cí辞yuǎn远，yī一shēng生hǎo好rù入míng名shān山yóu游。
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lú庐shān山xiù秀chū出nán南dǒu斗bàng傍，píng屏fēng风jiǔ九dié叠yún云jǐn锦zhāng张，
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yǐng影luò落míng明hú湖qīng青dài黛guāng光。
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jīn金qè阙qián前kaī开èr二fēng峰cháng长，yín银hé河dǎo倒guà挂sān三shí石liáng梁，
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xiāng香lú炉pù瀑bù布yáo遥xiāng相wàng望，huí回yá崖tà沓zhàng嶂líng凌cāng苍cāng苍。
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cuì翠yǐng影hóng红xiá霞yìng映cháo朝rì日，niǎo鸟feī飞bù不dào到wú吴tiān天cháng长。
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dēng登gāo高zhuàng壮guān观tiān天dì地jiān间，dà大jiāng江máng茫máng茫qù去bù不hái还。
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huáng黄yún云wàn万lǐ里dòng动fēng风sè色，bái白bō波jiǔ九dào道liú流xuě雪shān山。
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hǎo好weí为lú庐shān山yáo谣，xìng兴yīn因lú庐shān山fā发。
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xián闲kuī窥shí石jìng镜qīng清wǒ我xīn心，xiè谢gōng公xíng行chù处cāng苍tái苔mò没。
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zǎo早fú服hái还dān丹wú无shì世qíng情，qín琴xīn心sān三dié叠dào道chū初chéng成。
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yáo遥jiàn见xiān仙rén人cǎi彩yún云lǐ里，shǒu手bǎ把fú芙róng蓉cháo朝yù玉jīng京。
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xiān先qī期hàn汗màn漫jiǔ九gaī垓shàng上，yuàn愿jiē接lú卢áo敖yóu游tài太qīng清。
译文及注释
Translation:
I was like the eccentric man from Chu singing loudly the Phoenix Song to mock Confucius.
In my hand I held a staff adorned with green jade bidding farewell to the famous Yellow Crane Tower early in the morning.
I fearlessly climbed the Five Sacred Mountains in search of the path to immortality for I have always loved exploring famous mountains in this lifetime.
The beautiful Mount Lu stands tall beside the Southern Dipper with its nine layers of clouds resembling a colorful tapestry reflecting the shimmering green light of the lake and the shadows of the mountains.
The twin peaks of Jinque Rock stand tall in the clouds while the San Shi Liang waterfall cascades down like a reversed galaxy flowing swiftly.
The waterfall of Xianglu Peak gazes at it from afar and the cliffs and peaks rise into the sky vast and boundless.
The emerald clouds and red clouds shine brightly with the morning sun and even birds cannot fly beyond the vastness of the Wu Tian Guang.
From the heights I gaze at the magnificent scenery between heaven and earth as the great river flows endlessly never to return.
The yellow clouds in the sky change with the wind and the river flows like nine snow-capped mountains rushing forward.
I love to sing for the majestic Mount Lu and this enthusiasm grows because of its beautiful scenery.
In my leisure time I observe the stone mirror to calm my mind and the footprints of Xie Lingyun have long been covered by moss.
I will soon take the elixir to rid myself of worldly desires and my cultivation of the Three Elixirs and the accumulation of knowledge have just begun.
From afar I see immortals in the colorful clouds holding hibiscus flowers and paying homage to the Jade Capital.
We have already made an appointment to meet in the Ninth Heaven hoping to welcome you and invite you to explore the pure realm together.
Annotations:
Yao: A type of poem that does not conform to the rules of music.
Lu Shiyu's empty boat: Lu Xuzhou also known as Youzhen was from Fanyang (now Daxing County Beijing). During the reign of Emperor Suzong of Tang Dynasty he served as a court official and was known for his integrity. It is said that he traveled to Mount Lu with Li Bai.
The madman from Chu: During the Spring and Autumn Period there was a man named Lu Tong from the state of Chu also known as Jieyu. He pretended to be mad and refused to serve in the government due to his dissatisfaction with the politics of King Zhao of Chu. He was called the madman from Chu by the people.
Singing the Phoenix Song to mock Confucius: When Confucius visited the state of Chu Lu Tong went to his door and sang Phoenix oh phoenix why has your virtue declined... He advised Confucius not to take up an official position to avoid trouble. Here Li Bai compares himself to Lu Tong expressing his dissatisfaction with politics and his desire to live a secluded life like the madman from Chu.
Green jade staff: A staff adorned with green jade said to be used by immortals.
Five Sacred Mountains: Refers to Mount Tai in the east Mount Hua in the west Mount Heng in the south Mount Heng in the north and Mount Song in the center. Here it refers to famous mountains in China in general.
Southern Dipper: A constellation name one of the twenty-eight constellations. Ancient astronomers believed that Xunyang belonged to the southern dipper field (in ancient times certain areas on earth corresponded to certain stars in the sky which were called fields). Here it refers to the height of beautiful Mount Lu.
《庐山谣寄卢侍御虚舟》译文及注释详情»
创作背景
这首诗是李白在公元760年（肃宗上元元年）创作的，当时他正在流放途中前往夜郎。然而，在途中，他得到了赦免，被允许返回故乡。于是，李白从江夏（今湖北武昌）开始了他的旅程，前往浔阳（今江西九江）游览庐山。这首诗就是在这个时候创作的。
在这首诗中，我们可以感受到李白经历了许多磨难和困苦。他曾经被流放，被迫离开家乡，但他从未低头向现实屈服。相反，他的求仙学道的心愿更加迫切了。这首诗表达了他对自由和追求真理的渴望。
李白的诗中充满了对自然的赞美和对人生的思考。他通过描绘庐山的壮丽景色，表达了自己对大自然的敬畏之情。他用诗歌来表达自己的情感和思想，展示了他对人生的独特见解。
这首诗的创作背景使我们更加理解了李白的心境和创作动机。他经历了许多艰辛，但他从未放弃对自由和真理的追求。这首诗是他在重获自由后的表达，展示了他对生活的热爱和对未来的期待。
《庐山谣寄卢侍御虚舟》创作背景详情»
赏析
《庐山谣》是唐代诗人李白创作的一首描写庐山风景的名篇。诗中以大手笔描绘了庐山雄奇壮丽的风光，展现了诗人豪迈的气概和寄情山水的情怀。诗人以楚狂自比，表达了对政治前途的失望，同时也流露出他想在名山胜景中得到寄托，在神仙境界中逍遥的愿望。
诗的开头，“我本楚狂人，凤歌笑孔丘。”用典开宗明义，表达了诗人的胸襟和豪情。接着诗人写他离开武昌到庐山的行程，手持绿玉杖，朝别黄鹤楼。诗人以充满神话传说的色彩表述他的行程，暗示了他寻仙访道的隐逸之心。
第二段中，诗人以浓墨重彩，正面描绘了庐山和长江的雄奇风光。诗人先写山景鸟瞰，庐山秀出南斗旁，屏风九叠云锦张，影落明湖青黛光。诗人通过描写庐山的秀丽挺拔和九叠云屏的绚丽，展现了庐山的雄奇瑰丽。接着，诗人细描金阙、三石梁、香炉、瀑布等庐山的绝景，以仰视的角度描写了这些景观的壮丽和美丽。
整首诗以描写庐山的壮丽景色为主线，通过诗人的豪情和寄情山水的情怀，表达了对政治前途的失望和对隐居生活的向往。诗中运用了典故、神话传说和形象生动的描写手法，使整首诗充满了艺术感和感染力。《庐山谣》被誉为描写庐山的千古绝唱，展现了李白的诗才和情感世界。
《庐山谣寄卢侍御虚舟》赏析详情»
李白
根据提供的内容，以下是对李白的整理补充，包括出生和死亡信息：
李白（701年－762年），字太白，号青莲居士，是唐朝的浪漫主义诗人，被后人誉为“诗仙”。他的祖籍据待考，但出生地为西域碎叶城。在他4岁时，他随父亲迁往剑南道绵州。
李白是一位才华横溢的诗人，他的诗文作品超过千余篇，其中包括许多经典之作。他的作品以豪放奔放、情感激昂为特点，表达了他对自然、人生和爱情的热情追求。他的诗歌风格独特，充满了浪漫主义的色彩，对后世的文学创作产生了深远的影响。
李白的诗文集《李太白集》流传至今。这本集子收录了他的许多著名作品，成为了他的代表作品之一。
762年，李白因病去世，享年61岁。他的墓地位于今天的安徽当涂，而四川江油和湖北安陆也有纪念馆来纪念他的卓越贡献。李白的逝世给文学界带来了巨大的损失，但他的诗歌作品却永远留在了人们的心中，成为了中国文学史上的瑰宝。